Dickinsonian, April 8, 1949

The Dickinson Follies draws crowd of 1,000 to first variety show. Nine members of the Little Theater tapped for Tau Delta Pi dramatic honor society. Clayton Braun featured in solo art exhibition organized by Professor Flower. Social Rules changes announced; women's curfew extended to one a.m. for dances, while permissions are extended for Friday and Saturday night dances. Pianist Ozan Marsh to present concert. R. Sturges Ingersoll to discuss modern art.

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Dickinsonian, May 5, 1950

The Dickinson Follies production "Out of the Red" will open the following Thursday, with huge crowds anticipated. The Inter-Fraternity Council adopts a new constitution. Nine junior women are tapped to join the Wheel and Chain Society. Popular pianists Ozan Marsh and Patricia Benkman give a free recital to Dickinson students. The D Club will hold an evening of wrestling and boxing, featuring the "Masked Marvel" the night of publication.

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Dickinsonian, October 24, 1947

Dickinson's journalistic fraternity, Alpha Sigma Gamma, petitions national journalistic fraternity Pi Delta Epsilon for a charter. A group of 12 students visit the U.N. in New York. Ozan Marsh performs a piano recital, his second visit to Dickinson. A new program of inter-college cooperation between Dickinson, F&M, and Gettysburg, including an expansion of intramural sports competition and shared cultural and social events, is announced. A lecture is held on the state of affairs in Africa in terms of both economics and social structure.

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Dickinsonian, October 10, 1947

The Dickinsonian celebrates its 75th year of publication by briefly examining its evolution over time. The Student Social Committee discussed plans for the upcoming year, including the Homecoming Ball (to be informal this year), dates for the five all-college dances, and fall appearances by artist George W. Rickey and pianist Ozan Marsh. The Pan-Hellenic Council conducts rushing for both men's and w omen's fraternities. A summary of college scandals over the past 75 years is given, with particular focus on the aftermath of admission of women to the college.

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