Mermaid Players Lab Show Opens

Date of Event
Fri., May 5, 1989

The Mermaid Players hosted three different plays, written and directed by students and theater majors. The first play, "The Day the Whores Came Out to Play Tennis," was a story about a group of women who go to a country club for a day and their experiences there. The second play, "Riders to the Sea," was a play about an Irish family whose six sons have died. The final play, "the Woolgatherers," was about two people looking for "tenderness in a lonely, sometimes inhuman world." The plays opened on May 6th at 8 p.m., May 7th at 3 p.m.

DTG Performs During Dance Week

Date of Event
Fri., Apr. 28, 1989

The Dance Theatre Group (DTG) celebrated National Dance Week with their spring concert. The show opened on April 28th and 29th at 8 p.m. and also showed on April 30th at 3 p.m.  The show had a huge variety: some pieces were influenced by jazz and others found their influence in opera music. The show represented the end of their time in DTG for the graduating seniors. 

Chamber Choir performs

Date of Event
Wed., Apr. 26, 1989

The chamber choir performed the works of the resident composer Robert Convery on April 26th at 8 p.m. in the Rubendall Recital Hall. Convery was, at the time, finishing his doctoral studies at Julliard and commuting to Carlisle to help teach courses at Dickinson. Most of Convery's works were funny and satirical, written specifically for chamber choirs and for flutes, violins, cellos, harpsichords. 

Trout Gallery displays students work

Date of Event
Fri., Apr. 14, 1989

The Trout Gallery offered the chance to students who had taken studio art classes that year to display their works within the gallery. The range of works was large, from sculpture to photography, showing the campus and Carlisle community the talent of the student artists at Dickinson. The opening reception called "Annual Studio Students Show" was held on Friday, April 14th. 

Comedian Taylor Mason Performs

Date of Event
Sat., Mar. 11, 1989

Taylor Mason, a comedian, performed for the campus on March 11th.  Taylor Mason was a former writer for Second City Theatre in Chicago and performed his own shows at Zanies in Chicago. He had also made numerous t.v. appearances and worked with other comedians. His show at Dickinson involved funny songs that he sang and the use of ventriloquism all with references to popular culture of the 1980s. His show was deemed a success by students, due to his use of clever and accessible humor. 

"For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf" Performs

Date of Event
Sat., Mar. 4, 1989

The play "For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf" performed on  March 4th as part of the Multicultral week at Dickinson.  The play consisted of monologues from women, who did not have names but were simply known for the colors that they wore, which all contained similar themes and commented on the social issues of the day, specifically the issues for African-American women.

Students Organize Songfest

Date of Event
Sat., Nov. 5, 1988

Songfest, which was an annual Homecoming event sponsored by Wheel & Chain, the Raven's Claw, CAB, the Homecoming Committee, Omicron Delta Kappa (ODK), BACCHUS, and the Student Alumni Council, was held on November 5th. The event allowed for students and faculty members to perform different songs and pieces throughout the night: there was a total of 17 acts. During the show, the Wheel & Chain members asked for donations for the Presidential Scholarship and the ODK new members were tapped. 

Hypnotist James Mapes Performs

Date of Event
Fri., Sep. 23, 1988

Hypnotist James J. Mapes performed at Dickinson on September 23rd. His program, entitled "PSI: A Journey into the Imagination," included the hypnotism of some student volunteers on stage as well as a few audience members. Mr. Mapes, before doing shows, worked as the director of the New York Hypnosis Center. Mapes concluded his show with an explanation of the more practical applications of hypnosis, such as using it to relieve pain for cancer patients, rather than solely using it for its entertainment value.