In this essay draft, Allen Tanner writes about growing up in a musical family in rural Illinois, and his disappointment regarding Edith Sitwell's depiction of Pavel Tchelitchew in her autobiography. Transcript included.
This postcard is an advertisement for Allen Tanner's 1967 album Allen Tanner Plays Bach, Debussy, Scriabin, Granados, Rachmaninoff, Steinert.
In this essay, pianist Allen Tanner recalls the end of his relationship with his partner of 12 years, Russian artist Pavel Tchelitchew.
In this draft for an exhibit brochure, Allen Tanner describes Pavel Tchelitchew's early career in painting and theatrical design, in the 1920s and 1930s, from his time in Berlin to his departure for the United States.
Allen Tanner writes a brief autobiography for the liner notes of his 1967 album Allen Tanner Plays Bach, Debussy, Scriabin, Granados, Rachmaninoff, Liszt, and Steinert.
In this essay, Allen Tanner describes living in New York City and meeting famous musicians of the early 20th century including Paul Kochanski, Arthur Rubenstein, Sergei Sergeyevich Prokofiev, Nina Pavlovna, Alfredo Casella, Marguerite d'Alvarez, A
Allen Tanner records the additional Pavel Tchelitchew artwork he is consigning to Brentano's of New York City for sale. Each entry includes an item description and price.
Allen Tanner records the Pavel Tchelitchew artwork he is consigning to Bretano's of New York City for exhibition and sale. Each entry includes an item description and price.
Allen Tanner writes to Morris Fish asking for his advice regarding obtaining his artwork by Pavel Tchelitchew from Europe.
Allen Tanner writes to Morris Fish regarding obtaining his Pavel Tchelitchew paintings from Europe.
A signed engraving of Barry Moser's self portrait at age 59.
Harriet Lane writes to Lily Macalester and discusses her voyage to London. She will be presented to Queen Victoria later that week. In addition, Lane notes that she attended the opera with a Mr.
Stephen Vincent Benet's introduction of Florence Locke before her pageant recital in New York City of Benet's "John Brown's Body" on January 10, 1935.
The cover of a keepsake book produced for "Form and Content: The Art of the Book in the Pioneer Valley," an exhibition at the Northampton Center for the Arts including works by Weiss Prize recipient Leonard Baskin.
Alfred Sinnett responds to Mrs. Esther Windust's question regarding a portrait of Madame Blavatsky.
Catalog for "Leonard Baskin in Massachusetts," an exhibition at the Museum of Fine Arts in Springfield, Massachusetts. Baskin received the Dickinson College Arts Award in 1963.
John Dickinson writes George Washington to introduce and recommend the portrait painter, Robert Edge Pine.
Lawyer William White writes to Dickinson College Trustee Edward W. Biddle regarding Charles Wilson Peale's portrait of John Dickinson, housed at the Pennsylvania Historical Society.
Mary Logan writes to William White regarding Charles Wilson Peale's portrait of John Dickinson. Logan explains that her husband left the portrait to the Pennsylvania Historical Society in his will.
Cassandra Lee Arnold writes to Dickinson College trustee Edward W. Biddle regarding Horace Carpenter's portrait of Charles Nisbet.
Painter Horace Thompson Carpenter writes to Dickinson College trustee Edward W. Biddle, announcing the completion of a portrait of Charles Nisbet commissioned by the College.
Charles Nisbet writes to his daughter Mary, discussing the theater in Carlisle, the Democrats, and the French.
Two engravings of Dickinson College founder John Dickinson. The engravings, by B.B.E., are published by R. Wilkinson in London.
Harriet Beecher Stowe writes Horatio C.
Engraving by G. Stodart from the Dr. Joseph Priestley statue by J. F. Williamson, from The Art Journal (New York: D. Appleton & Co.), 3: 57.