In this draft essay, Allen Tanner writes about Gertrude Stein and Alice B. Toklas.
In this draft essay, Allen Tanner writes about Edith Sitwell's autobiography.
In these notes, Allen Tanner describes what he likes about Gertrude Stein's writing style.
In these notes, Allen Tanner writes about his feelings regarding the way Pavel Tchelitchew and Edith Sitwell are remembered in Parker Tyler's book The Divine Comedy of Pavel Tchelitchew.
In this draft letter, Allen Tanner writes to author Parker Tyler to assist Tyler in writing his book The Divine Comedy of Pavel Tchelitchew.
In this draft letter, Allen Tanner writes to author Parker Tyler, promising to provide him with information and photos of Pavel Tchelitchew and their friends for Tyler's book The Divine Comedy of Pavel Tchelitchew.
In this draft letter, Allen Tanner writes to Margaret Anderson about their first meeting in Chicago. He also discusses her past relationships with fellow editor of the Little Review Jane Heap, and opera singer Georgette LeBlanc.
Allen Tanner reminisces about his friendships with Gertude Stein, Alice B. Toklas, and Pavel Tchelitchew. Transcript included.
Allen Tanner describes Margaret Anderson's reaction to being fingerprinted after her conviction for publishing obscene material in the Little Review, James Joyce's Ulysses.
Allen Tanner writes to Victoria Glendinning regarding her biography on Edith Sitwell, and expresses his disappointment that Glendinning did not contact him for information on Sitwell.
Judith B. Jones writes to Allen Tanner regarding a biography of Edith Sitwell written by Victoria Glendinning.
Joseph Priestley writes an unknown recipient and notes that he has enclosed "two copies of my Paper for the Philosophical Transactions." In addition, Priestley requests a "fresh stock of
Dr. Joseph Priestley writes to Rev. John Edwards and discusses their recent publications as well as a publication that they are both working on.
Joseph Priestley writes to Rev.
The final issue of the Collegian, Dickinson College's first monthly literary publication.
The fourth issue of the Collegian, Dickinson College's first monthly literary publication. Includes "The Power of Sacrifice," "The 'Me'," "Logan's Revenge," "True Estimate of Self," and "Extract - Prometheus Chained."
The third issue of the Collegian, Dickinson College's first monthly literary publication.
The second issue of the Collegian, Dickinson College's first monthly literary publication. Includes "The Tyrol," "Love and Scholarship," "Communings with the Departed," "The Song of the Wind," "War," and "Ernest Maltravers."
The first issue of the Collegian, Dickinson College's first monthly literary publication. Includes "Nationality," "Machine for Grinding Poetry," "Love in College," "Translation of Cleanthe's Hymn to Jupiter," and "The Spartan Youth."
Esther Popel Shaw's poem "Flag Salute" on the cover of Crisis Magazine.
Annie Besant thanks a Mrs. [Mawsou?] from Ashfield, Gateshead-on-Tyne in England for sending a pamphlet. "I am so busy [that] I am afraid I cannot find time to read the larger work of which you speak," as Besant explains.
Stephen Vincent Benet's introduction of Florence Locke before her pageant recital in New York City of Benet's "John Brown's Body" on January 10, 1935.
This is a working manuscript by Nobel Prizewinning author Pearl S. Buck, including ink and pencil corrections, written during the Japanese invasion of China and the war that ensued.
"Rain After a Vaudeville Show," a 30 line poem by Stephen Vincent Benet.
William Rose Benet, the contributing editor of The Saturday Review of Literature, asks Mr. Roberts to "send the book."