S. Homer Dosh writes his thesis, titled "Some Experiments in Taking Transparencies," about developing photographs while a student at Dickinson College.
Florence Hensel Bursk writes this essay, entitled "Dickinson's New Era," as a student at Dickinson. Bursk is a member of the Class of 1905. Transcript included.
Ella P. Davis writes this essay, entitled "Woman and the Home," as a student at Dickinson. Davis is a member of the Class of 1909.
Ellen Lyon discusses how women's education should be structured and what subjects should be included in an essay entitled "What Branch of Study is Most Important in the Education of a Young Lady." "Within a few years female education has received
In this draft essay, Allen Tanner writes about Gertrude Stein and Alice B. Toklas.
In this draft essay, Allen Tanner writes about Edith Sitwell's autobiography.
In this draft essay, Allen Tanner writes about piano technique, specifically the Cortot piano method.
In this draft essay, Allen Tanner writes about piano technique.
In this draft essay, Allen Tanner argues that Russian composer Alexander Scriabin's talents and contributions are overlooked by younger musicians. Transcript included.
In this draft, Allen Tanner describes in great detail his relationship with his partner of 12 years, Russian artist Pavel Tchelitchew. Tanner also discusses Tchelitchew's relationship with English poet Edith Sitwell. Transcript included.
In this draft Allen Tanner describes his trip to Algeria with Pavel Tchelitchew in 1927. Transcript included.
In this draft Allen Tanner describes his trip to Tunisia with Pavel Tchelitchew in 1926. Transcript included.
In this brief essay draft, Allen Tanner describes the ballet "Ode," which Pavel Tchelitchew designed the sets for. Transcript included.
In this draft essay, Allen Tanner describes Pavel Tchelitchew's artistic style, comparing his style with neo-romanticism and surrealism. Transcript included.
In this draft essay, Allen Tanner writes about the women with whom Pavel Tchelitchew associated, including Hadley Hemingway, Russian ballerina Catherine Devilliers, and artist Stella Bowen.
In this essay draft, Allen Tanner writes about growing up in a musical family in rural Illinois, and his disappointment regarding Edith Sitwell's depiction of Pavel Tchelitchew in her autobiography. Transcript included.
In this essay, pianist Allen Tanner recalls the end of his relationship with his partner of 12 years, Russian artist Pavel Tchelitchew.
In this draft for an exhibit brochure, Allen Tanner describes Pavel Tchelitchew's early career in painting and theatrical design, in the 1920s and 1930s, from his time in Berlin to his departure for the United States.
Allen Tanner writes a brief autobiography for the liner notes of his 1967 album Allen Tanner Plays Bach, Debussy, Scriabin, Granados, Rachmaninoff, Liszt, and Steinert.
In this essay, Allen Tanner describes living in New York City and meeting famous musicians of the early 20th century including Paul Kochanski, Arthur Rubenstein, Sergei Sergeyevich Prokofiev, Nina Pavlovna, Alfredo Casella, Marguerite d'Alvarez, A
Allen Tanner describes Margaret Anderson's reaction to being fingerprinted after her conviction for publishing obscene material in the Little Review, James Joyce's Ulysses.
This is a working manuscript by Nobel Prizewinning author Pearl S. Buck, including ink and pencil corrections, written during the Japanese invasion of China and the war that ensued.
Laura Benét writes this essay, titled "Poets in Embryo," on growing up in a literary household and how it influenced her and her brothers' interests in writing.