This is a concert program for a performance Marguerite Namara and Allen Tanner gave to raise money for the Permanent Blind Relief War Fund for the Soldiers and Sailors of the Allies.

This program is for Allen Tanner and Harold Barton's joint recital at the Provincetown Players' Theatre-Club on February 2nd. The year is unknown, but approximated.

This program is for a song recital by Marguerite d'Alvarez, accompanied by Allen Tanner, at the Provincetown Theatre on March 28th. The year is unknown, but approximated.

This partial newspaper clipping offers a brief biography of singer Alice Miriam.

This is an obituary for Alice Miriam, Metropolitan Opera soprano.

This brochure offers a brief biography of pianist Allen Tanner, and advertises his services as a piano teacher and singing coach.

This program is for one of Allen Tanner's piano concert performances.

Cassandra Lee Arnold writes to Dickinson College trustee Edward W. Biddle regarding Horace Carpenter's portrait of Charles Nisbet. Arnold thanks Biddle for the photograph of it that he sent her and promises "I will certainly go over all of the old letters in my return to the Farm this Summer."...

Lawyer William White writes to Dickinson College Trustee Edward W. Biddle regarding Charles Wilson Peale's portrait of John Dickinson, housed at the Pennsylvania Historical Society. "The enclosed letter has sad news and I am very sorry that it will probably be impossible for Dickinson College...

Stephen Vincent Benet's introduction of Florence Locke before her pageant recital in New York City of Benet's "John Brown's Body" on January 10, 1935. Benet states the need for poetry to be a living thing, spoken aloud and lauds Locke as an interpreter. The recital program as well as a clipping...

Newton Tarkington writes to Charles Sellers with advice on the attribution of a portrait of painter Benjamin West.